Kidd’s stuff
Dedicated New Yorker Chip Kidd tells all about his early career, John Updike and big red book covers. Emma O Kelly also discovers his disdain for the Internet and a
Dedicated New Yorker Chip Kidd tells all about his early career, John Updike and big red book covers. Emma O Kelly also discovers his disdain for the Internet and a
Virgin has confirmed the brand identity of its cosmetics chain as Virgin Vie (DW 20 June), created jointly by Revolution and in-house visual design manager Allison Miles. Virgin Retail is
An archaelogical find on a building site in New York has resulted in a sensitive design competition. Peter Hall tells the story of what lies beneath Manhattan’s Federal building
Janice Kirkpatrick maps out her plan for design supremacy in the next millenium, which includes sending out dynamic and youthful creative guerillas to the front lines.
As a (Greater) Londoner, born and bred, I always get a pang of joy whenever I hit Heathrow after a journey. But whether you’re returning or visiting, there’s always a
The Scarlet Tunic, on show at the Cannes Film Festival, is a romantic tragedy adapted from Thomas Hardy’s short story The Melancholy Hussar. Beaconsfield consultancy Milestone created the poster for
Wolff Olins has been appointed to design the corporate identity for the food and drinks giant which will be created from the 24m mega-merger of Grand Metropolitan and Guinness. Wolff
Print and corporate literature is one of the hardest sectors to crack. Competition is rife and clients and designers don’t always connect, discovers Jane Lewis
The common image of Liverpool is of a city steeped in nostalgia, the poor neighbour of Manchester. But in reality, times have changed, discovers Liz Farrelly
As activity on the high street moves up a gear, DW goes client-side for some tips from two forward-thinking customers
With the evolution of doctors’ surgeries into multi-purpose medical centres has come a new design brief, which has led to big improvements, finds Nicky Churchill
Labour’s commitment to design as a creative industry and as a predominantly small business has been spelt out in a number of manifestos, particularly in its Create the Future document,