Tota Hasegawa
What: Interactive multimedia, including installations, CD-ROMs and Web-based work.
What: Interactive multimedia, including installations, CD-ROMs and Web-based work.
How will the recent court ruling that Hoover has infringed Dyson’s vacuum cleaner design copyright affect designers?
AKA Design has created the corporate identity for Guidant Europe Cardiovascular Institute in Belgium, the state-of-the-art educational centre for implant surgery, which opens next week. The consultancy started work last
International designer Yuri Soloviev has been awarded the Sir Misha Black Medal for services to design education, while Roger Coleman, co-director of the RCA’s Helen Hamlyn Research Centre, and Paul
Baber Smith has been appointed to redesign the Design Council’s “I” magazine, to make it more consumer-friendly and visually led. It won a four-way pitch against unnamed consultancies. Frost Design,
The identity for the multi-million pound Government initiative to make science sexy launches at this week’s Ideas Conference. Created by The Team, the identity is ‘very edgy and different’ to
The failure of the representative bodies for the design industry to unite under one umbrella is a sad reflection on the motivations of those in the profession. It’s sad because
The Design Council has appointed IconMedialab to redesign its website, which it aims to relaunch in the summer as a “world leading resource on design”. The website was highlighted as
The power of design; Vitreous Enamel – quirky nostalgia or niche sign material?; User-centricity in digital media design forum
The design industry’s key representatives have promised a raft of initiatives to bring the profession to greater prominence both at home and abroad in 2001. The Chartered Society of Designers
Christopher Frayling’s well-earned knighthood couldn’t have been better timed – as far as the design community is concerned. Though the Royal College of Art rector has officially received the honour
The Taking a Lead debate asked how to create a strong, unified approach to the needs of the design industry. Lynda Relph-Knight finds everyone wants the same ends; it’s the