Quentin Blake
Quentin Blake has been drawing for as long as he can remember, having had his first illustration accepted by Punch magazine when he was a 16-year-old schoolboy. Half a century
Quentin Blake has been drawing for as long as he can remember, having had his first illustration accepted by Punch magazine when he was a 16-year-old schoolboy. Half a century
The Design Trust, a non-profit making organisation that is dedicated to helping young designers establish successful businesses, is to close at the end of July after failing to secure further
Design House has been appointed by the Association of Colleges, the representative body for further education in England, Wales and Northern Ireland, to create its new identity. The design group
Surrey design consultancy PSD Associates has created a new identity and communications material for Radicchio, a global initiative promoting security in wireless e-commerce. Radicchio was founded by wireless e-commerce group
Communications group Redhouse Lane has produced a report for the Department of Education and Employment, which aims to help teachers learn what conditions they can expect from the classroom of
Glasgow-based Zoo Architects is nothing if not eclectic. Open to most challenges, it designs furniture, interiors, buildings, landscapes and even boats. ‘We’re architects who’ll do anything within reason. We don’t
Art Criticism – what’s it for anymore?; The role and value of design in e-commerce; DBA Presentation Skills workshop
The college gates are about to open, unleashing hordes of fresh design talents on to the scene. What is your advice to the next generation of designers as they embark
Consumers and the Government are becoming more interested in environmental reports. Design groups are creating some original solutions.
Mike Exon looks at an exhibition which is a retrospective of the work of English letter cutter and typographer David Kindersley, who died in 1995.
While Milan’s Furniture Fair raises its international exhibits’ profiles, Italy remains modest about fresh domestic talent.
It appears that museums and art galleries have finally realised that a decent website can yield high dividends. Bridget Stott surfs the home pages of some prominent institutions