New director set to raise RSA’s profile
Penny Egan, appointed as director of the Royal Society of Arts, says she wants to use design to help project the RSA as a “think tank for the nation”. Egan,
Penny Egan, appointed as director of the Royal Society of Arts, says she wants to use design to help project the RSA as a “think tank for the nation”. Egan,
Credit to the author: Everybody uses Macromedia’s Director (unless they’ve just defected to mTropolis). But the very heavy duty people have long been using Macromedia’s Authorware, which is a lot
I thought that your readers would like to assist the CSD with its misguided mission to be different and to illustrate how its dealings with the Design Review body really
Branding agency Creative & Commercial brought in design consultancy Hudson Fuggle to help with ‘the toughest design brief we have worked on’; a Holocaust education pack for clients The Holocaust
Excellence in Schools, the new Labour Government’s first White Paper which was launched on Monday, was designed by Lloyd Northover Citigate. The consultancy, working for the Department for Education and
Urban living has numerous advantages, but with family issues such as schooling, the rural idyll seems attractive. Or does it? Hugh Pearman weighs up the options.
A conference in Halifax last week gathered key members of the design community together to discuss the future of the industry and its representation. Lynda Relph-Knight discusses a few of
One of the most inspiring thoughts to come out of the Halifax Initiative about design industry representation was from Sir Ernest Hall, founder and chairman of Dean Clough where the
The Chartered Society of Designers’ executive was praised by members at the annual general meeting, for securing the bank deal which could massively cut its crippling debts. The deal with
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It’s great that the Millennium Dome will go ahead, even if it won’t be to the original plan. As we hadn’t seen Imagination’s proposals for its innards, we don’t know
With the handover of Hong Kong drawing near, UK designers working there are obviously concerned for the future. Sharon Marshall asks whether they have anything to worry about