High streets need to find their “appetite for design”
In this call to action, Freestate global creative director Adam Scott is asking designers to help high streets become flexible, theatrical, community spaces.
In this call to action, Freestate global creative director Adam Scott is asking designers to help high streets become flexible, theatrical, community spaces.
As part of major redesign, the established French marque has unveiled its latest logo: a pared-back coat of arms adorned with its lion’s head.
After mentoring a group of designers from around the world in 2020, the founder and creative director of Studio Moross talks about supporting young talent.
The London-based studio has taken a “multiperspective” approach to branding the diverse group of scholars, artists and activists.
As he approaches the launch of his retrospective book, we speak to the designer about “unhinging” his brain, working with Scorsese and avoiding over-designing.
Seals set up foundry Vocal Type – which takes inspiration from past protest movements – in the hope of celebrating creatives of colour.
Illustrator Natasha Durley discusses modernising the classic nature series, incorporating new features of the UK’s landscape and a “layered” technique.
The Design Museum has named the installation which allowed children from neighbouring countries to play with one another the Beazley Design of the Year.
After years of struggling to find glasses that fit, the brains behind Reframd are using tech to design frames to fit the “face landmarks” of Black people.
The projects were part of a worldwide open call by London Design Biennale organisers, and cover everything from music, to sex education and disaster relief.
With traditional creative opportunities uprooted because of the pandemic, Design Week explores how residency programmes can help fill the gap.
As part of our series looking at design in 2021, Hege Aaby and Matt Rice of Sennep look at what will happen in interactive design in the next 12 months.