Sensi, by Method
Method has worked with Sierra Leonne-based social enterprise Sensi to create an identity and help it define the organisation’s positioning. Sensi has used these assets to help establish itself and
Method has worked with Sierra Leonne-based social enterprise Sensi to create an identity and help it define the organisation’s positioning. Sensi has used these assets to help establish itself and
As London graphic art festival Pick Me Up prepares to open its sixth edition, we talk to curator Claire Catterall about how the show and the graphics scene have developed.
The Royal College of Art’s education and research programme SustainRCA is looking at how design-led problem solving can address systemic problems in agriculture. We caught up with Sustain Talks curator
Architect Ron Arad has designed a moveable, evolving set for an immersive dance performance, set to take place within caves in Margate.
We speak to designer and artist Sir Peter Blake about his 60-year career, the power of bright colours and why it’s important to trade in Photoshop for a paintbrush every now and again.
The artist has designed his “first piece of public art” by decorating the exterior of a ferry with multi-coloured patterns, which replicate world war one “dazzle” ships that were designed to confuse the
Wayne Hemingway and architect Christophe Egret are among signatories of a letter backing the Labour Party for the next election, while business leaders including Lord Stuart Rose have come out
Pentagram partner Paula Scher has created a new identity for The New School in New York, which uses a custom typeface with regular, extended and very extended widths of the same
This month we take a trip back to Trinidad to interview our first female designer from the region. Like many of her contemporaries, her work is multi-disciplinary, encompassing graphic design,
Ahead of the 7 May General Election in the UK, a cross-party group of parliamentarians has released a new manifesto calling for design to become central to the way the
Form has created a new identity for London recording studio Abbey Road, which takes its inspiration from the cover of the Beatles’ Abbey Road LP. Form partners Paula Benson and
Premm Design has designed the core marketing image for the Playing Shakespeare production, the 2015 flagship education project for the Globe Theatre. The brief was to create a First